Know Thy Enemy

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Ant-Man and the Wasp: Quantumania has been out in theaters for a while – and the film is HUGE fun!

It’s no secret that the “big bad” villain in the movie is Kang the Conqueror, but we won’t say anything more about his motivations or machinations.

(That would be a “spoiler.”)

Still, a lot has been said already about Kang (and actor Jonathan Majors), with his introduction as the next major antagonist in the Marvel Cinematic Universe. We’re talking Thanos-level malevolence here.

Both look great in purple, too!

Understandably, people want to chat about Kang the Conqueror–his backstory in the comics, potential connections to MCU shows and films, his powers and motivations, and much more. But we won’t dive too deeply here, to avoid any spoiler territory. (If you’re curious, click on any of the links in this paragraph and speculate away.)

All this talk about the next new villain got me thinking about teaching. If teachers are like superheroes, then who plays the “villain” role?

Who is YOUR archenemy?

Or at the least, who’s your rival?

Or maybe just someone who bugs you. Whether they know it or not, sometimes this person drives you nuts.

To help reflect on educational antagonists, look at classic superhero/villain pairings.

Sometimes they are complete opposites. Superman is super-strong and a “boy scout.” Lex Luthor is super-smart and a malicious “man-child.” Or contrast the stoic, calculating Batman with the crazy, maniacal Joker.

Archenemies can also be too much alike. Their mutual strengths create immediate conflict. Think of Wolverine and Sabretooth, both with claws, feral fighting skills, and healing factors. Or consider the intellectual enmity between Mr. Fantastic and Doctor Doom.

Another source of friction is a fundamental difference in ideology. Professor X seeks peaceful coexistence between mutants and humans, whereas Magneto prefers violent uprising and mutant dominance, no matter the cost. Captain America and Red Skull epitomize the Allies vs. Axis sides of World War II.

Remember, these examples are fiction. Superhero/villain matchups are mere illustrations for the types of conflict that can occur between two real people. I sincerely hope any opposition in schools is much less vindictive and destructive.

As teachers, we should use moments of disagreement as opportunities to model healthy communication and compromise. Remember, your students are watching!

Ideally, we can seek “win-win” solutions.

That said, something (or someone) that is unethical or illegal should NOT win.

I remember a high school principal explaining one experience he had where “win-win” was not a viable option. Their school building was facing increased pressure and influence from violent gang activity. This principal shared how their school staff, students, families, and community banded together to find a “win-lose” solution: they were going to win; the gangs were going to lose (and leave).

Hopefully, the day-to-day conflicts and friction teachers experience are not as dire. And in any case, we can focus on productive (and creative) outcomes, with student learning and growth as the ultimate goal.

Here are just two resources for working with others (including those you can’t stand):

-Enneagram Personality Types and Relationships

-Enneagram Types at Work

Workplace Triggers based on Enneagram Type

Dealing with People You Can’t Stand (book)

-Dr. Rick Brinkman: The Top 10 Difficult People (video)

-“Ten most unwanted list” and Summary from What You Will Learn (podcast/blog)

Imagine what would happen if some of our superhero/villain pairs paused to review these materials. Maybe they could even sit down and work out their differences.

Or maybe not.

But what about YOU?

And who exactly is a teacher’s REAL archenemy? Moreover, how do we “fight” them?

If you want the actual answer and action steps, check out Chapter 8 in my book – Teaching Is for Superheroes!

(That’s called a “teaser.”)

Black Adam Gets Schooled

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DC’s Black Adam movie has been out for a while, but I finally sat down to watch it. If you like LOUD explosions and slooooow-motion action sequences, this movie is for you!

Personally, I prefer Dwayne “The Rock” Johnson less self-indulgent . . .

And more self-deprecating, like in the newer Jumanji films.

The neatest take-away I got from Black Adam is the “student-teacher” relationship between Adam and the teenager Amon. In particular, there’s a Terminator 2-type juxtaposition of the younger Amon trying to teach the elder Black Adam how to be a hero.

Specifically, the film focuses on superhero tropes like wearing a cape and using a well-timed catchphrase.

Black Adam eventually gets both lessons right (sort of). Still, he struggles with more serious, ethical principles like “Heroes don’t kill.”

Oh well. Two out of three ain’t half-bad.

There’s a problematic parallel in schools today. A lot of students (and non-teachers) have plenty of experience in classrooms. This familiarity can create an assumed expertise about “good teaching.”

In the same way that teenage Amon figures he knows all about heroes (he doesn’t), some students–current and former–might presume to be pedagogical experts (they aren’t).

Heck, I’ve worked in the education field my entire professional life, and I KNOW there’s LOTS I don’t know. (Proper grammar, anyone?) With every year that passes, I’m learning more and more.

Problems arise when students turn into teachers without transforming their understanding, attitudes, and application of effective instruction. Sadly, some remain fixed in latent beliefs and paltry practice. They incorrectly conclude there’s nothing for them to learn, since they’ve been in schools ever since they can remember.

She’s coming for your job!

Education historian Larry Cuban puts it this way: “Recruits to the occupation lean toward continuity because of their prior school experiences. As public school students for twelve years, future teachers unwittingly served an apprenticeship as they watched their teachers teach” (1993, p. 19).

This dilemma is not new. As a result, some of the underlying issues schools face – uninspired classrooms, fill-in-the-blank rote memorization, “teach to the test” – are the same ones they’ve been dealing with for years.

Back in 1969, Neil Postman and Charles Weingartner described this narrow student-to-teacher transition as follows: “most of them simply move from one side of the desk (as students) to the other side (as ‘teachers’) and they have not had much contact with the way things are outside of school rooms” (p. 139).

Early (grainy) footage of me as a college student. I’m teaching “to the board” as opposed to my students. (Evidence that I had a lot more to learn about teaching.)

I’ll admit, I made a similar “change” when I first began as a teacher. In fact, before I even started my pre-service teacher program, I doubted the value for going through formal preparation. Like some teachers before me, I thought I knew enough about my subject to teach it. And more troubling, I thought I knew enough about teaching.

Clearly, I did NOT know enough about either.

Like young Amon in Black Adam, I know my share of superhero lore. But I’ve never been a superhero. And I wouldn’t deign to tell somebody how to be one. Especially Dwayne “The Rock” Johnson.

First Lesson of Hero Club: Don’t touch the shiny helmet.

I know a bit more about teaching. A little knowledge came from my time as a student. More importantly, I learned from mentors who provided purposeful instruction and practice as a teacher. And I’m still learning.

Like the best students, the best teachers are eager to learn more. What are you learning?

Never too old to learn. (Or sport a new backpack.)

Resources:

Cuban, L. (1993). How teachers taught. New York: Teachers College Press.

Postman, N., & Weingartner, C. (1969). Teaching As a Subversive Activity. New York: Delacorte Press.

“What if . . . ?” and More Marvelous Questions

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The latest Disney+ Marvel series is new in a multitude (multiverse?) of ways.

First, What if . . . ? is noteworthy as the first animated show in the Marvel Cinematic Universe, or MCU. (Spider-Man: Into the Spider-Verse doesn’t count . . . not yet, at least.)

Second, What if . . . ? is significant since it explores all kinds of hypothetical storylines in the MCU. The series takes well-known characters and contexts of the films and follows different routes. (Remember when the first Avengers movie combining multiple film heroes was considered a risky idea? Look how far we have come!)

So far, we’ve seen different characters taking the mantle of significant heroes (Captain America, Star-Lord), as well as heroic characters doing unheroic things. In addition to the allure of endless possibilities, the What if . . . ? series is enjoyable because these alternative tales come in bite-sized episodes. Even so, some of these scenarios have potential for all kinds of fun adventures and far-reaching ramifications.

As a testimony to the power of “What if . . . ?” consider how there are 200+ issues of this comic series, begun nearly 50 years ago. As creators publish stories in “regular” comics continuity, other writers can explore branching paths and possibilities.

The question “What if . . . ?” can foster similar results in the classroom. Past blogs have written about the power of questioning, which you can check out HERE and HERE.

It’s important to remember not all questions are equal. Some are more effective in cultivating engaged and reflective students. Below is a list of potential questions teachers can ask to facilitate, encourage, and assess students’ learning.

  • “What if . . . ?”
  • “For what reasons . . . ?”
  • “What do you think could happen if . . . ?”
  • “How might that compare with . . . ?”
  • “Why might . . . ?”
  • “Where else could we . . . ?”

These are just some examples, and I’ve shared more in a recently published article available HERE. Note that NONE of these questions can be answered with a simple “Yes” or “No” or similar dichotomous response.

In other words, students have to go further and THINK about the topic in a more robust manner. Moreover, there’s less chance they can “fake it” or just guess an answer. Often, such work promotes collaboration and communication.

Such open-ended questions may not catalyze a zany tale about alternative Avengers, but they can produce meaningful learning.

One caution is to beware of counter-productive conversation. When dealing with open-ended questions like “What if . . . ?” there is potential for students to go down pathways the teacher did not intend. While this may add to creativity and application, it could also veer into darker territories. Just consider some of sadder episodes of What if . . . ? we’ve already seen, in which [Spoiler Alert] a hero becomes the villain, or ultimately destroys their world.

Hopefully your classroom won’t pivot to such hopelessness. Still, be mindful of keeping students on-task and oriented toward learning goals. Even when using open-ended prompts, teachers can guide student thinking toward intended outcomes. Such parameters could be as simple as time limits or brainstorm boundaries. For example, a science teacher might pose a challenge that prompts investigation, but requires students to use only certain materials or technology. Sometimes this is called a “testable question” in science classrooms.

No matter the subject, teachers can be purposeful in using “What if . . . ?”-type questions to get the full effect. For inspiration, consider how masterminds behind the MCU have carefully scheduled and set up movies, television shows, specials, etc. Each production features minute details and allusions that result in monumental meaning in subsequent films. (For example, it’s no coincidence that What if . . . ? has come out between the Loki television series and the upcoming Spider-Man: No Way Home film.)

Teachers don’t have the multi-million dollar movie machine like the MCU, but they can still be intentional and inspirational by providing creative, challenging, and coordinated questions for their students.

Just imagine . . . What if . . . ?

Don’t Spoil. Tease.

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You’ve probably heard about a little film coming out this month:

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Don’t worry, NO SPOILERS here!

In fact, the Avengers: Endgame directors Anthony and Joe Russo have earnestly requested that audiences and critics NOT reveal any details about the movie:

“Because so many of you have invested your time, your hearts, and your souls into these stories, we’re once again asking for your help. When you see Endgame in the coming weeks, please don’t spoil it for others, the same way you wouldn’t want it spoiled for you.”

I’m so wary of spoilers this time around, I refuse to read any preview articles, interviews, or speculation by fans. Likewise, whenever a trailer pops up online or on television, I quickly avert my eyes. I’m suspending my social media use later this week, too, since I don’t trust my friends or myself. No spoilers! 

I already know I want to see Avengers: Endgame. I don’t need any pre-release hoopla to motivate me.

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Read more about “Keeping Students Motivated.”

We’ve talked about how teachers should avoid spoilers in their classrooms. We must be careful to not sabotage, short-circuit, or short-change our students in the learning process. Authentic understanding arrives through wonder and discovery, making sense as one investigates concepts and applications.

Read more about spoiler alerts here, along with a nostalgic look at the highly anticipated Star Wars: Episode VII – ThForce Awakens. (The rumors are already flying about the upcoming Episode IX, and I imagine things will soon hit hyperspace.)

 

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Capture my attention? Done.

 

That said, excited fan-geeks are NOT the same as your typical student. While teachers should still avoid spoilers, they may need to provide a little more motivation in their classrooms. And they also need to help along the way.

Another applicable entertainment analogy is the “TEASER.”

Merriam-Webster defines “teaser” as “an advertising or promotional device intended to arouse interest or curiosity especially in something to follow.”

Often, a teaser doesn’t directly name the product or event. Teachers can apply the same practice to engage students, but not spoil them with every detail or label.

Teasers can appear many months before the actual event, and here this analogy may not perfectly translate to the classroom.

Rather than waiting several days or weeks, a teacher probably needs the learning pay-off to occur much sooner. This “a-ha moment” could be in the same day, such as fulfilling an introductory question from bellwork. Or teachers could “tease” students with a prompt or “what if?” at the end of one day and return to this topic the next class.

 

Like spoilers, we’ve discussed teasers before on this blog. Take a look at some superhero examples and classroom applications here.

In the meantime, decide how spoiled you want to be before the next pop culture event. Maybe a new teaser has appeared and piqued your interest.

Either way, find ways to tease – not spoil – your students in the pursuit of learning!

 

Stark Talking

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Nerds love to debate superhero superlatives. Who’s the strongest? Who’s the fastest? Who’s the most powerful?

Thanks to @reddit_user_1948, now we know which Avenger is the most talkative:

Iron Man a.k.a. Tony Stark.

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These results are based on comparing dialogue from the six original Avengers in the Marvel movies, summarized below:

spoken lines chart

 

Dialogue in the classroom is another topic of extensive study. In such research, teachers are like Tony Stark in that they dominate the spoken word.

One of the most well-known researchers in classroom interactions is Ned Flanders.

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(No, not this Ned Flanders.)

Back in the 1960s and 70s, Flanders found that 70% of classroom time is talk, and 70% of this time is teacher talk (1970). He also reported that teachers of high-achieving students talked less (55% of the time) than teachers working with low-achieving students (80% of the time).

No mention of cause and/or effect here, but one could also consider the advice of Harry and Rosemary Wong (First Days of School), who note that those who are “doing” more are the ones who are learning more. In this case, it stands to reason that classrooms with higher rates of student talk (on task) would result in greater student learning.

Instead of Tony Stark/Iron Man, perhaps teachers should look to less vocal heroes like Hawkeye, the archer Avenger. Following Hawkeye’s example, teachers can use fewer words with more precision.

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Like well-aimed arrows, teachers could use purposeful questions and prompts to engage students, assess understanding, and guide discussion.

We’ve discussed questions before (such as here), and unfortunately, good questions don’t always come easily.

Additional research has found that of the 80,000 or so questions teachers ask annually, 80% of them are low level, requiring simple student responses without much thought (Gall, 1984; Watson and Young, 1986).

Like the Flanders research, some of these studies on teacher questioning are several decades old (“classic”). Effective teaching is timeless, however.

Likewise, several classroom habits still linger. For instance, I’ve studied pre-service teachers’ questioning (Bergman, 2013) and found classroom patterns similar to the past. Here’s a sample of those results:

SciPST_Talk

 

No matter how much you talk in the classroom, be sure to make it count. Be intentional in your speech with planned questions and responses to engage students in thoughtful learning.

At the same time, be thoughtful in your own teacher talk. Be flexible and nimble, too, ready to “ad lib” when necessary.

After all, one of Tony Stark’s most memorable movie lines was improvised. Maybe you remember this ending to the very first Iron Man film:

 

Here’s the “behind-the-scenes” story of this famous line, which was instrumental in shaping the entire Marvel Cinematic Universe. Consider how teachers’ words in the classroom can be equally impactful toward student learning and interest.

Adding some humor helps, too.

 

Changing Tools

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Long-time readers of this blog will know that Captain America is one of my favorite heroes. (Just take a look at these posts about Iconic Images, Teacher Evolution, and Grit-ty Heroes.)

Recently, Marvel Comics released the landmark issue Captain America #700, which includes a special back-up story using unpublished pages drawn by the late, great co-creator Jack Kirby with a new script by current writer Mark Waid.

Check out this classic artwork brought to life:

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In the new Avengers: Infinity War film, Cap has a whole new look. Besides facial hair and muted uniform colors, another noticeable difference is his missing shield.

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Over the course of decades and different media, the Star-Spangeled Avenger has used a variety of shields. In fact, the good folks at Comic Book Resources have published a list of TWENTY Captain America shields, ranked from worst to best.

cap shields

 

Each of these shields are unique, but they all serve as both defensive and offensive tools.

Captain America has his shield. Spider-man’s got his “web-shooters.” Batman has endless  batarangs. Green Lantern uses his ring (and lantern).

 

 

What trademark tools do teachers use?

Perhaps the most iconic tool of teachers is the chalkboard (and all its derivations). Just do a quick Google search of the word “teacher” and you’ll discover an array of people posing in front of a chalkboard:

 

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As seen in these images, the chalkboard is cross-cultural and used world-wide.

Much like Captain America’s shield, teachers’ chalkboards have transformed over the years.

First we have the chalkboard:

chalkboard tr

In black OR green varieties!

 

Then we got the overhead projector:

overhead projector

You can face the entire class while you write – BONUS!

 

Then came whiteboards:

whiteboard1

Less chalk dust, but more mind-altering marker smells!

 

Add a projector and computer connectivity, and you get a SMARTBoard:

smartboard2

 

More recently, the advent of “Augmented Reality” (AR) is a new addition to standard SMARTBoards. Here are two photos courtesy of the March/April 2018 issue of THE Journal:

AR photo 1AR photo 2

No matter the board, each version serves in the same general capacity – to display visual information, record ideas, provide an avenue for students and teachers to share, and more.

And like Captain America’s shield, the actual effectiveness of the tool depends on the expertise and ingenuity of the user. A state-of-the-art tool used poorly yields shoddy results.

Honestly, the above photos of AR-using teachers are problematic. In one, the teacher is fixated on the board instead of the students; in the second, the computer station is a barrier blocking the teacher from her students. Both examples are just snapshots, but both could be improved with more flexibility and responsiveness to the students.

Let’s look again at Captain America’s multiple shields. Besides the standard round metal variety, I’m particularly fond of Cap’s energy shield.  One version of this tool could change according to the user’s purpose:

single-shield-shape

 

So teachers, whether you have a dusty chalkboard or spiffy AR-enhanced SMARTBoard, or anything between, please be sure to use it well. Practice to increase efficiency. Welcome student contributions. And use it creatively, adjusting to the context of the lesson and learners’ individual needs.

 

 

Deep Cuts and Easter Eggs

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So Guardians of the Galaxy Vol. 2 came out recently, and it’s doing quite well at the box office.

Guardians-of-the-Galaxy-Vol-2-wallpaper

 

An interesting focus on Vol. 2 has been all the “Easter Eggs” hidden in the film.  These  brief glimpses are easy to miss, encouraging repeated viewings ($$) and audience scrutinization.

Below is just a sampling of Easter Egg lists made about Guardians Vol. 2:

 

eastereggwuote

 

Easter Egg hunts are not just for lesser-known superheroes like the Guardians of the Galaxy.  You can find lists of hidden gems in all sorts of superhero movies, from more recent films like Captain America: Civil War and Doctor Strange to the very first entry in the Marvel Cinematic Universe: Iron Man.

 

My personal favorite Easter Egg is the “circus monkey” drawn by Steve Rogers in Captain America: The First Avenger.  In the comics, Steve worked as a freelance artist from time to time. This sketching scene not only alludes to this history, but it also fits perfectly in the context of the movie.

 

An older sketch-based Easter Egg is the satirical “Bat Man” drawing given to newsman Alexander Knox (Robert Wuhl) in the 1989 Batman movie.  If you note the artist’s signature, it’s none other than Batman creator Bob Kane!

batman-1989-the-mark-of-kane

 

Another name for obscure pop culture references is “deep cuts,” a term from the music industry.  Deep cuts are little-known songs on an album that don’t get airtime or attention of more commercial- and radio-friendly singles.  Only die-hard fans are familiar with such songs that most of us have never heard.

In the same way, a lot of “deep cuts” in superhero movies are overlooked by casual viewers.  Often, these cameos and allusions are included simply as a wink or nod to eagle-eyed fans.  Other times, they might be hints of what will happen in an upcoming sequel or spin-off.

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Educators know all about “deep cuts,” and we’re NOT talking about financial funding (at least not this time).

For quite a while now, a common phrase in curriculum is “mile wide, inch deep.” Basically the phrase refers to American students learning a lot of general topics at the surface and not enough “deeper” content in more detail.  This is NOT a new issue, and is something standards are both blamed for as well as championed for trying to fix.

mile wide inch deep

Take a closer look, if interested, at this ongoing topic over the years:

 

There’s probably not one simple answer to the problem of “quantity over quality.”  However, one question to ask is “How deep?”

How much detail and depth do students need with respect to any given topic?  Again, standards documents may help in guiding educators to focus on key concepts and skills.  But what content is most important?  How much of it?

Here is a quote from the 1996 article linked above:

Before they reach high school, American students will have covered more topics than 75% of the students in other countries; yet in many cases, they will have been taught some of the same topics several years in a row. 

So it’s not just a matter of “quantity over quality;” it’s also an issue of redundancy.

However, based on what we know about learning, repeated exposure to the same content is actually necessary for helping students develop a solid foundational understanding.  Of course, revisiting a certain concept should NOT be a simple rehashing, but involve further exploration, examination, reflection, and application.

Revisiting content should also NOT be mining for trivia.  When a lesson dives deep into a subject, often the temptation is to dig up little-known facts that have little worth in the big picture.  In other words, educators are focusing on the Easter Eggs, as opposed to the larger story and impact.

 

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Missing the point.

I’m all for trivia games and fun.  (Obscure knowledge is part of the fanboy job description.) However, trivia should not come at the expense of meaningful learning and application.  In our quest for more depth in subject learning, teachers must be careful not to spend too much time and energy on trivia.

Consider common modifiers that accompany “trivia” and its related terms:  useless trivia, absurd information, pointless knowledge, random facts, and even the modifier trivial, which Merriam-Webster defines as “of little worth or importance.”

Sounds like an Easter Egg to me, especially the kind with one measly jelly bean inside.

EasterEggsandBeanADLG

Black licorice.  Nasty.

 

Teachers, ask yourself if playing Jeopardy! is the best way to review a unit.  (Or Pictionary or Trashketball or Classroom Bingo or other review games.) How can you guide students in a more engaging and thorough examination of relevant content?  How can you expand upon this information for more application and extensions?

Or in movie terms, how can you entice the audience so they hunger for a sequel?

 

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To be continued . . .

 

What about you? What’s your favorite Easter Egg or deep cut?  What is their role in the classroom?

Which Wolverine are You?

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A few years back I received the following image from a colleague, who shares this handout with students and teachers:

Which tree guy are you

The question is, “Which one are you today?”

Are you the one smiling and standing on top?  Crossed-armed and alone out on a limb?  Are you helping someone climb on?  Watching someone fall?

This simple image can lead to a fruitful discussion of personal success, challenges, and concerns.  It also helps to stop and reflect from time to time, since our place and activity in this image can change.  What caused the change?  Circumstances?  Attitude?  Actions?

Try this activity with your colleagues or class the next time you have a few spare moments. It’s a good start or end to a session. Take the opportunity to intentionally self-evaluate.

Or here is a superhero alternative, featuring everyone’s favorite Canadian superhero Wolverine (art by the amazing Scottie Young):

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Are you the triumphant, classic costumed Wolverine on top?   The squished one in the middle?  The samurai-inspired noble warrior at bottom right?  The Wolvie losing his hat? The one with the claws?

 

Or  maybe you prefer the Wolverine portrayed by Hugh Jackman in nearly 20 years of film. Even though it’s the same hero and same actor, there are plenty of moods and mannerisms to choose:

 

Like superheroics, teaching is a serious business requiring grit, bravery, and “a fighting spirit.”  But it’s also essential to find moments of humor and fun.

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Op, op, op, op oppa Gangnam Style . . .

 

Most importantly, teachers (and students) should take time to pause and consider their personal attitudes and positions.  Are we behaving and thinking appropriately for the given situation?  How can we help those around us?

(And always resist the urge to go into “berserker mode.”)

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You forgot your homework again?!!?

 

 

Worlds Collide

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The next BIG superhero movie coming to theaters is The LEGO Batman Movie!

In a promotional stunt, LEGO Batman appeared alongside LEGO superheroes from DC Comics’s CW television shows, which you can check out below:

What makes this video clip special is it is the first time DC superheroes from the CW TV channel (Green Arrow, Flash, Supergirl, The Atom) have merged with a DC superhero from the movies (Batman).

“Big deal?” you think?

Actually there’s been a lot of chatter among fans, critics, and industry reporters about the pros, cons, and possibilities of merging film and TV-based superheroes.  These are characters that come from the same comic book universe, but are featured in separate media outlets–theatrical, broadcast television, or streaming.

DC, for example, has Batman, Superman, and Wonder Woman dedicated to film, along with other heavy hitters from the Justice League (Green Lantern, Aquaman, Flash).  This gets problematic, however, since The Flash also stars in his own television show on the CW (as do Green Arrow and Supergirl, who has also met a TV version of Superman).

The Last Children of Krypton

Confused?  You’re not the only one, and some people argue these two “universes” should stay separate (see here and here).  Others think there could be a way to have a crossover of sorts between TV and Film (read more here).

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More intermingling makes sense for Marvel superheroes, since theoretically, many of these characters actually DO live in a single universe shared between the movies (Avengers, etc.) and television shows (Agents of SHIELD, Agent Carter, Daredevil, Luke Cage, etc.).

Some people claim Marvel could and should have film and TV shows cross over.  Others point out that such an event would still be a monumental and unwanted task.  And that’s not even dealing with different Marvel heroes contracted out to different movie studios (e.g. X-Men/Fantastic Four with 20th Century Fox, although Wolverine actor Hugh Jackman said he’s happy to meet the Avengers sometime).

wolverine-avengers

Sorry, Wolverine.  No shirt, no crossover.

While not requiring millions of dollars, the habit of teachers collaborating can also seem like a difficult ordeal.  But it’s worth it, with research finding higher student achievement in schools with higher levels of teacher collaboration.

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We’ve talked before about teachers getting along with other teachers and here’s another resource with useful teacher collaboration ideas, including virtual tools, co-planning, scheduling, and more.

And let’s take a closer look at teachers from different universes (i.e. different grade levels).

lego-teachers

The Teacher Channel’s blog “Tchers’ Voice” shares commentary on learning from teachers of different grades.  The blog post is called “Pathway to Collaboration,” and it’s just the tip of the iceberg.  Challenge yourself to find new ways to team up and learn with colleagues in your building, district, and beyond.

Sadly, there’s not much else out there about cross-grade teacher collaboration, although someone did do a doctoral dissertation on this topic.  (If you need a little light reading, you can find the entire 418-page document here.)

I’ll conclude with examples of insight gained and projects accomplished when my world collided with those of other teachers.

  • A fourth grade teacher who showed me all kinds of management techniques and student jobs that I could also apply in my high school classroom.
  • A middle school science teacher who collaborated with me to successfully submit a grant for highway safety physics curriculum.
  • A business teacher who modeled practical classroom procedures for high school seniors, giving flexibility and freedom to young adults weeks away from graduating.
  • And several more colleagues, mentors, current and former students co-presenting and co-publishing academic work.

No movies or television projects yet, but maybe someday.

D-List to A-List

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I stole borrowed this blog title from a recent countdown article by Brian Conin and the folks at Comic Book Resources, named “15 D-List Superheroes Who Went A-List.”

For the uninitiated, “A-List” heroes are big name characters known across the globe:  Superman, Wonder Woman, Batman, Spider-Man, and so on.  In the past decade, Iron Man joined this group due to Robert Downey Jr.’s iconic portrayal in the Marvel movies.  (Before then, people considered Iron Man more of a “B-List” hero.)

 

“D-List” heroes fall much further down the rankings.  These are the obscure, silly, and often forgotten characters no one really cares about.  Only super fans know about these heroes, including where and when they appear in comic books and other media.

Movies and television, however, have done an amazing job of bumping up the status of many lesser-known characters.  Take a look at CBR’s list to find 15 heroes you probably never heard of before they appeared in film or TV.

Better yet, watch the recently released trailer for Guardians of the Galaxy Vol. 2 (coming Summer 2017!) to see FIVE of these former D-listers in action:

 

That new telepathic character adorning antennae near the end is Mantis, and I’m willing to bet she’ll become another D-list-to-A-list hero in the upcoming year.

 

The whole letter-grade system (A, B, C, D, etc.) is at the front of my mind this time of year, near the end of a semester.

This is when many teachers spend overtime scoring tests, reading final papers, perusing projects, and altogether compiling grades. This is also when numerous students suddenly become obsessed over every single grade for every single assignment.  (For some reason, too many students don’t seem to care until the last minute.)

Unfortunately, letter grades can easily get too much focus in place of more important outcomes.

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Grading has many critics, such as Alfie Kohn, who calls grades “relics of a less-enlightened age” and cites research about their negative impact on student learning and motivation.  You can read more in the NEA Today article, “Are Letter Grades Failing Our Students?” and learn about alternative ideas used in different states and districts.

One of my favorite stories is of the Central Park East elementary school, known for its progressive “whole child” approach to education in inner city Harlem.  In one of her books (The Power of Their Ideas, I believe), former CPE principal Deborah Meier describes how they removed their A-B-C grading system in favor of “Satisfactory” and “Unsatisfactory”-type ratings.  Soon, however, they added an “Advanced”-level designation.  Then they decided to include a +/- system to further delineate student performance.

In other words, they went from A-B-C-D to A-S-U, plusses and minuses and all.

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I’m not saying grades are good or bad, but they certainly have become entrenched in most educational systems.  The key is to focus on learning and growth, with grades providing one type of data to guide teacher decisions and communication.  Also, it’s important to remember the differences between “assessment” and “evaluation.”

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I highly recommend reading Thomas Guskey’s article “Making the Grade: What Benefits Students?” in the ASCD’s journal Educational Leadership.  You will find a useful section at the end that provides a historical summary of grading practices and research through the years.

Most importantly, teachers can consider how to reach and teach ALL of their students, regardless of past academic performance.  With the diverse range of strengths and weaknesses in a given classroom, one’s definition of success can differ greatly.  Find ways to engage each student, equipping them for further achievement and advancement.

 

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Consider how various superheroes have changed from being jokes, relics, or “one-offs” into major players or even champions of their universes (and publishers).  In many cases, this transformation did not occur just because of a Hollywood appearance.  It also takes someone (or someones) to see potential in a character and give him or her the attention they deserve.  Often, it includes a unique perspective and innovative approach.

The same goes for students in our schools.  Not everyone is a Superman.  But they could be a Star Lord.

 

Who knows?  Maybe the next Squirrel Girl is sitting in your very classroom.

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