Flash Forward

Standard

How far do you plan ahead?

Later this month – February 28, 2109, to be exact – a book is coming out that includes a chapter by Yours Truly. (Shameless plug alert!)

agesofflashcover

In the previous post, I shared an overview of this book chapter featuring teaching approaches of the Flash (Wally West) and Max Mercury, and the impact on their student Impulse. For now, though, let’s turn out attention to time travel.

Impulse_(Bart_Allen)

Bart Allen (Impulse) is a 30th century teen transported to late 20th century America. The featured Flash and Impulse comic book stories in my book chapter were published in the mid 1990s. But this isn’t the kind of time travel I want to discuss.

Let’s look at the timeline of academic publication, using my Flash book chapter:

  • April 2017 – I submitted proposal for book chapter.
  • July 2017 – Proposal accepted.
  • November 2017 – Chapter manuscript submitted.
  • February 2019 – Book published.

Altogether, the process from proposal to publication is nearly TWO YEARS. And this isn’t even counting the original call for submissions, formulating my idea, doing the research (reading, looking up, reading, collecting data, reading, analyzing data, etc.), as well as the actual WRITING of the 25+ page first draft.

Two years from proposal to publication is actually about typical for most printed books. (That’s why it’s tricky for a writer to chase trends; by the time anything gets published there’s a new fad taking the world by storm.)

But to be honest, I had to stop and look up some of the above dates in my records. If you had asked me before, I probably would’ve thought the time period was much quicker. Time flies when you’re having fun (i.e. doing scholarly research with comic books).

Impulse20

Teachers also experience interesting time travel in their classroom work. And like publishing, the educational process can stretch along with many delays. A recent article on Edutopia talks about the long-term impact of teaching. Here is how it summarizes the featured research:

Teachers who help students improve noncognitive skills such as self-regulation raise their grades and likelihood of graduating from high school more than teachers who help them improve their standardized test scores do.

Later, the article addresses the predicament: Standardized tests don’t typically measure long-term teacher impact on things like self-regulation and other “noncognitive skills.”

Countless times, teachers reiterate that if something is important, you have to test it. Using reverse logic, we often assume that only the important things are on tests.

We can’t overlook those things that may be more difficult to assess or standardize. In the face of regular evaluation reports, teachers must keep the far future in view.

directions

I would argue that these two outcomes – short-term test scores, long-term impact – are not mutually exclusive. Teachers can promote both at the same time, intertwined together.

Take publishing, for our ongoing analogy.

While this Flash book chapter has been moving toward publication, I’ve been busy working on other projects. Journal articles and conference presentations have faster turnaround times, and I’ve done both in the past few years.

Likewise, I have a new chapter in progress for the next “Ages of . . .” book. This one is about Marvel’s Black Panther.

bp_battle

 

My chapter deals with T’Challa’s demonstration of 21st Century Skills in defending Wakanda from the alien Skrulls’ Secret Invasion. If that sentence doesn’t excite you, maybe these comic book panels will . . .

bpSuperSrull_40

 

So far, here is the timeline of my chapter:

  • May 2018 – Submitted chapter proposal.
  • August 2018 – Proposal accepted.
  • January 2019 – Submitted chapter manuscript.
  • ??? – Publication???

Right now, I’m awaiting feedback and requests for revisions from the editor. After that should be official news of acceptance and publication. But I’m not holding my breath. It’ll happen eventually.

In the meantime, there are always more opportunities to learn, write, research, and share. And enjoy the future possibilities!

impulse1-feature

Advertisements

Lessons from Stan Lee

Standard

This post is different than most, pausing to honor the late, great, Stan “The Man” Lee.

I won’t even attempt to write a tribute to Stan Lee’s marvelous life and legacy, as several others have done a much better job.

For example, take a look Marvel’s website HERE, which includes this inspirational quote:

stanleequote

Also, many celebrities have written kind comments about Stan’s impact on their personal and professional lives. You can read several of them at https://www.rte.ie/entertainment/2018/1112/1010478-stan-lee-tributes/.

Even Netflix is honoring Stan Lee by encouraging viewers to use his catchphrase “Excelsior!” when searching for a show. Try it and see what happens.

netflix-stan-lees-universe

My way of thanking Stan “The Man” Lee is to consider all the lessons teachers can learn from his example. How can we bring these same traits to our schools and classrooms?

Enthusiasm

When I think of Stan Lee, the first thing that comes to mind is not the heroes and villains he helped create. Instead, it’s his overwhelming enthusiasm. Just take a look at this cover to his comic book-style autobiography:

amazing-fantastic-incredible-9781501107726_hrMEMOIR

 

Or this real comic book featuring a real photo of Stan Lee:

The_Marvel_Fumetti_Book_Vol_1_1

Although many people learned about Stan Lee through his various movie cameos, he actually had plenty of exposure first through comic book stories. Here is a neat article summarizing Stan’s various cameos through years of comic books. You’ll note a recurring theme of self-deprecating humor, fun, and energy.

Here’s an early depiction of behind-the-scenes with Spider-Man artist Steve Ditko:

StanLee-ASMAnnual1

Much later, Stan made an appearance to narrate an entire issue of Generation X:

StanLeegenx17

 

This stint prompted a company-wide event the next year, in which Stan appeared to introduce every Marvel comic book’s “flashback” story:

StanLee-Flashback007

 

Advocacy

Stan Lee was an advocate for superheroes and their fans. Like the comic book example with Steve Ditko above, Stan introduced comic book readers to the creators and the creative process.

This was long before blogs and social media. Instead, Stan provided monthly updates in the comic books – Stan’s Soapbox, Bullpen Bulletins, and more. Moreover, he made it fun to be a fan.

merry-marvel-marchins-society

Brandon Zachary from Comic Book Resources wrote an essay, “How Stan Lee Created Comic Book Celebrity and Modern Geek Chic,” explaining “He became every reader’s ‘Uncle Stan,’ a sarcastic but kind figurehead of comics. Stan Lee helped mold the modern idea of Geek Chic into what it is today, and turned Marvel Comics from an entertainment company into its very own culture.”

Stan advocated for more than just superheroes and comics. As a writer and editor, he shared stories dealing with issues like alcohol and drug abuse, racism, hate, and more. Here are five of his “Soapbox” writings addressing such issues, including the one below from 1968:

soapbox-ff81jpg

One noteworthy issue of Amazing Spider-Man is #96 in May, 1971. This was the first comic book published by Marvel or DC to NOT have the seal of approval by the Comics Code Authority.  The “code” was used to ensure comic books were safe for young readers. But in Spider-Man #96, Stan Lee wanted to tackle the issue of drug abuse.

ASM96_01

Forgoing the CCA’s seal of approval, Stan wrote and published the story. Soon after, the CCA updated its guidelines to consider depictions of controversial subject matter in individual stories.

 

Collaboration

Stan Lee is famous for pioneering the “Marvel Method” of making comics. Before this, writers scripted comic book stories with detailed descriptions and dialogue. To save time, Stan reduced the direction in his scripts and allowed the artists to decide things like page layout, number of panels, perspectives, etc. This created more trust with the artist, to the point where both writer and artist were credited as “co-plotters” in many comic book issues.

You can read more about this collaborative approach here, and hear Stan Lee describe the process himself in the following video:

 

Although Stan Lee frequently receives credit as creator of multiple Marvel heroes, he himself acknowledges the powerful role of co-creators and artists like Jack Kirby, Steve Ditko, Larry Lieber (Stan’s brother), and more.

Here is another example of Stan’s collaborative spirit, shared by recent Spider-Man writer Dan Slott:

DanslottTweet

Stan’s spirit of collaboration (and marketability) is perhaps what led to the “shared” universe approach in Marvel Comics. Readers could relish guest appearances, cameos, and team-ups among various superheroes and villains. Such crossovers are much celebrated (and copied) in the series of movies in the Marvel Cinematic Universe.

SpiderManIronManHP2

 

Ageless Wonder

This is one of my favorite panels from Stan Lee’s memoir:

retirement dirty word

Stan Lee had worked in the comic book business for many years before he began his Marvelous run. This is a recent tweet from writer and reporter Brett White, reminding all of us it’s not too late to start something new:

StanLee39FF

 

During my own lifetime, Stan Lee’s work was less in comic books and more in other media. He moved from New York to Los Angeles in 1981 to oversee television and film versions of Marvel characters.

Soon after came video games, including Spider-Man for Atari in 1983. How many 60-year-olds do you know would gleefully help like Stan in this Blip magazine feature?

Blip magazine spiderman atari

 

The first time I heard Stan Lee’s voice may have been in the PlayStation/N64 Spider-Man game, published in 2000. Even in his late 70s, Stan enthusiastically introduced “True Believers and Newcomers alike” into a “true superhero action thriller,” which you can enjoy here:

 

Stan Lee continued to try new things throughout his 80s and 90s. Some projects were more successful than others. Nevertheless, his work displays an energy envied by creators of all ages.

In 2001, Stan even wrote special “Just Imagine . . . ” comic book stories featuring characters from long-time rival DC Comics.

 

 

 

 

This slideshow requires JavaScript.

More recently, Stan Lee worked on several global projects. His last superhero creation was based on Chinese pop star G.E.M. He also helped create multiple heroes for Japanese anime and manga (making a few personal appearances, of course).

 

 

 

 

stanleeheromancoffee

 

There will never be another Stan “The Man” Lee. But we can take inspiration from his enthusiasm, advocacy, collaboration, and lifelong learning. And we can remember Stan Lee’s example every time he pops up in a cameo.

 

‘Nuff said. Excelsior!