Inhumans

Flame On

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While Marvel Movies are chugging along with critical and commercial success, Marvel Comics have stumbled as of late.  The most glaring issue is “event fatigue,” with too many major event stories tripping over each other in attempts to be bigger and bolder than ever before!

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Here is a list of recent crossover mini-series/maxi-series.  Keep in mind that each of these involve 4-12 special issues, in addition to numerous tie-in issues happening throughout regular series.

  • Siege (2010)
  • Realm of Kings (2010)
  • Second Coming (2010)
  • Age of X (2011)
  • Fear Itself (2011)
  • Schism (2011)
  • Spider-Island (2011)
  • Avengers vs. X-Men (2012)
  • Age of Ultron (2013)
  • Infinity (2013)
  • Battle of the Atom (2013)
  • Original Sin (2014)
  • AXIS (2014)
  • Spider-Verse (2014-15)
  • Secret Wars (2015-16)
  • Avengers: Standoff! (2016)
  • Civil War II (2016)
  • Dead No More: The Clone Conspiracy (2016-17)
  • Death of X (2016-17)

As one comic book store owner observes, “There are quite a few Marvel loyalists that have begun branching out and trying DC titles . . . possibly from Marvel event burnout.”

burnout

“Burnout” is a common issue faced by teachers, too, popping up in those loooong middle months or near the end of the semester.  Teachers may find themselves overwhelmed, frustrated, and missing a certain spark in the classroom.

Teacher burnout is frequently linked to stress, which can arise from many factors, summarized by Kyriacou (2001):

  • Teaching pupils who lack motivation;
  • Maintaining discipline;
  • Time pressures and workload;
  • Coping with change;
  • Being evaluated by others;
  • Dealings with colleagues;
  • Self-esteem and status;
  • Administration and management;
  • Role conflict and ambiguity;
  • Poor working conditions.

Stressors are specific to each individual teacher in his or her unique context.  Likewise, successful ways to deal with stress and potential burnout differ from teacher to teacher.  Even so, here are some strategies Kyriacou suggests:

  • Try to keep problems in perspective;
  • Avoid confrontations;
  • Try to relax after work;
  • Take action to deal with problems;
  • Keeping feelings under control;
  • Devote more time to particular tasks;
  • Discuss problems and express feelings to others;
  • Have a healthy home life;
  • Plan ahead and prioritize;
  • Recognize ones own limitations.

You can find plenty more burnout tips and tools everywhere–from research literature to cyberspace to your closest loving relative. Here are a few resources I’ve uncovered, with some of my favorite highlights (and comments):

4 Warning Signs of Teacher Burnout – “Teacher Burnout is a dark place, and only complaints can live there.”  (Sort of like the Negative Zone–tread lightly.)

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Reboot: 5 Resources for Teacher Inspiration – Read, share and create Ryan Gosling memes.  (A few of my favorites below.)

Ryan Gosling attending the ‘Blue Valentine’ Photocall during the 63rd Cannes Film Festival in Cannes, France on May 18, 2010. Photo by Hahn-Nebinger-Orban/ABACAUSA.COM (Pictured: Ryan Gosling) 63rd cannes film festival – blue valentine photocall

 

Stop, Drop, and Roll With It: Teacher Burnout Prevention – “Finding a hobby that allows you to get away from education-related stuff is important.”  (This author even suggests playing video games – BONUS!)

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And for all of you new teachers . . .

10 Tips for Surviving and Thriving in Your First Year Teaching – “7. Don’t Neglect Your Body: Sleep. Rest. Eat well. Exercise.”  and  “9. Catalogue Every Single Success in the Classroom: Write them down. Make lists of what’s going well.” (One of my mentors calls these “attaboys” or “attagirls,” and you should keep these in a box somewhere.  Or turkey.)

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Finally, here’s an inspirational quote I came across recently from master chef Julia Child, which reveals the right attitude:

“Find something you’re passionate about and keep tremendously interested in it.”

Teachers, hopefully you are already passionate about teaching and learning.  And “keep that fire burning,” so to speak, by fueling your educator’s engine.

As my mother used to say, “In order to burn out you must first be on fire.”

And so as the Human Torch says, “Flame On!”

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Kyriacou, C. (2001). Teacher stress: Directions for future research. Educational Review, 53, 28- 35.

Word Balloons

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The latest superhero flick is Deadpool, which is making news for its “hard” R-rating for humor and violence.

If you don’t know much about Marvel’s “Merc with a Mouth,” here is a fun tutorial courtesy of artist Ty Templeton.

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The movie itself is doing great commercially and critically, even getting approval from Betty White herself.

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I’ll bypass seeing the film in theaters, waiting for a toned down, broadcast-friendly version on TV.  (But from the sound of things, a cleaned-up edited version would last about 15 minutes.)

The “sound of things” is actually the topic of this blog post.  Specifically,

What is the sound of your voice?

We’ve talked before about the importance of what teachers say in the classroom (namely questions).  But it’s also important to consider how you say it.

What’s your tone of voice when you talk in class?  How loud?  How fast?  How much variety?

In comic books, characters speak in “word balloons” (or “speech bubbles”), and it’s fascinating to notice the unique techniques creators use to convey dialogue on the page.

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Just like people, comic book heroes have unique voices, and letterers (the folks who draw word balloons) often use specific styles for particular characters.

For instance, Deadpool always speaks (and thinks) in yellow word balloons.  No one is sure what it’s supposed to sound like, aside from a mix of sarcasm and crazy.

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Take a moment and consider what your words would look like if someone drew balloons around them.

Are you snarky to the point of annoying?  (Do you need to tone it down?)

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Or maybe you’re more robotic, like the android Vision.  (Should you add more emotion?)

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DC/Vertigo’s Sandman hero Dream (a.k.a. Morpheus) talks in wavy inverted speech bubbles.  (Are you putting your students to sleep?)

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Or does your voice reflect the tenor of Ghost Rider, Marvel’s Spirit of Vengeance?  (To quote Educator Harry Wong, remember to stay “calm, real calm.”)

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Some teachers start quiet and docile, not maintaining healthy classroom boundaries.  And then when students get too far out of control, these teachers release a verbal attack like Marvel’s Inhumans hero Black Bolt.  (Deal with the small things sooner, so you don’t have to explode.)

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Eric Wong at the Sequart Organization wrote a nifty article about the different ways comic books communicate sound.   As you examine these examples, think about the sounds in your classroom.  What is helpful?  What is hurtful or distracting?

Teachers should record their classroom instruction and interactions from time to time.  You don’t have to sit down and watch an entire lesson.  Just listen to a few minutes and notice what your students actually hear.

Acknowledge the fact that nobody likes the sound of their own voice.  (Blame science.)  But who cares?  Either out loud or in your head, ask yourself,

“What can I do to sound better?”  

Here are some ideas:

1. If your voice is monotone and flat, study television news anchors to learn about adding variety in pitch. (And drink more coffee.)

2. If you have a tendency of erupting, take a deep breath and stay calm (but firm).  (And eat more chocolate.)

3. If you have a snarky streak, save it for open mic night at the comedy club.  Students respect teachers who show them respect first.

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So whatever kind of “word balloons” you use in the classroom, make sure they fit the space and focus on learning.

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Flex Plan

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Where will you be in five years?

If you like superheroes, a good bet is you’ll be sitting in a theater watching the latest Marvel or DC movie.  And chances are you’ll have seen multiple superhero movies between now and then.

A recent Warner Bros. shareholder meeting featured the announcement of several tentpole movie projects into the year 2020.  This list includes TEN films starring DC Comics superheroes (and antiheroes).

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Not to be outdone, Marvel Studios held a special shindig where they announced NINE movies set in their “Marvel Cinematic Universe,” involving the Avengers, Guardians of the Galaxy, Black Panther, Dr. Strange, and more.

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“Infinity” sounds about right.

If you add in movies based on other Marvel Comics heroes (X-Men, Spider-Man, Fantastic Four, etc.), that makes OVER 40 FILMS currently planned for Marvel or DC comic book characters.

And that’s not even counting additional comic book and superhero projects.  So we’re headed either into the Double Platinum Age of Comic Book Movies or Major Market Saturation.

Of course, many of these projects may get derailed or delayed along the way.  (Don’t hold your breath for “Unannounced Female Character Spider-Man Movie” in 2017.)

Plans change, and no one knows that better than teachers.

Adventures with Scope & Sequence

Those of us in the field of education know about something called “Scope and Sequence.”  Not only does “Scope and Sequence” sound like a terrific crime-fighting duo, S&S is a general phrase given to long-term planning in the school year.

Here is an example Scope and Sequence from an elementary art teacher, courtesy of the smARTteacher website.

Art ScopeSequence BIG

I think of scope as the overall main ideas and concepts students should learn in a class, and sequence is the general order in which they could learn, connect, and practice these main ideas.

Notice the language used here:  “overall”  “general”  “could.”

It’s important to remember that long-term planning should be flexible, like the Ever-Elastic Mr. Fantastic! 

mr fan in action

Sometimes adjusting to curriculum guides can feel like deflecting bullets.

All kinds of variables arise during a school year that require adjustment and revisions:  prior knowledge, curriculum mandates, assessment schedules, special events, weather cancellations, and–MOST IMPORTANTLY–student learning.

Districts often have a Pacing Guide that indicates the key content, units, and even activities teachers should use in their specific courses.  Here are some pacing guides for science teachers in Mobile County Public Schools (AL), if you’re curious.

The key word here is “guide.”  Classroom teachers know their students best, and therefore the best methods and schedules for helping students learn.

To coin a scientific-sounding mantra:  Student learning should be the constant, with time as the dependent variable.

If students require more time to master a topic, give them more time.  Don’t plow through a chapter just because you think you need to stay “on track” to finish a certain textbook.  (Who said you had to finish the textbook in the first place?)  Conversely, don’t slog through something the kids already know or don’t need to know.

A Super Biology Teacher

I met a science teacher who was just one of six teachers who taught Biology 1 in his school building.   The basic requirement was all Biology 1 teachers had to get through Chapter 10 by the end of December.  The reason was students could switch teachers at the semester break, so everyone needed to be at “the same spot” beginning in January.

Sounds logical, but not every teacher (or student) will work at the same rate or want to focus on the same content.  Some concepts and skills are more important than others.  So what do you do if you don’t agree with a prescribed schedule?

I love what this science teacher did.  He made sure he was done with Chapter 10 by the end of December, but he shuffled chapters to create the most meaningful sequence for his students.  Moreover, this teacher spent more time on some chapters and less time on others that weren’t as necessary for learning fundamental biology concepts.

Sound out of order?  That’s nothing new to readers of comic books, where odd numbering systems abound (see multiple #1 issues, #0 issues, #-1 issues, backwards releases, flipped issues, etc.).  Heck, there’s even a blog totally committed to the convoluted topic of Comic Book Numbering.

The bottom line in comic books is finding strategies and gimmicks to sell the most issues.  The bottom line for teaching is arranging lessons and units to encourage the most learning.

So whether you’re talking about billion-dollar film franchises or the infinite potential of today’s students, do take time to plan ahead.  But always keep your plans open to change.

And always leave the door open for a dynamite sequel.

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