Word Balloons

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The latest superhero flick is Deadpool, which is making news for its “hard” R-rating for humor and violence.

If you don’t know much about Marvel’s “Merc with a Mouth,” here is a fun tutorial courtesy of artist Ty Templeton.

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The movie itself is doing great commercially and critically, even getting approval from Betty White herself.

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I’ll bypass seeing the film in theaters, waiting for a toned down, broadcast-friendly version on TV.  (But from the sound of things, a cleaned-up edited version would last about 15 minutes.)

The “sound of things” is actually the topic of this blog post.  Specifically,

What is the sound of your voice?

We’ve talked before about the importance of what teachers say in the classroom (namely questions).  But it’s also important to consider how you say it.

What’s your tone of voice when you talk in class?  How loud?  How fast?  How much variety?

In comic books, characters speak in “word balloons” (or “speech bubbles”), and it’s fascinating to notice the unique techniques creators use to convey dialogue on the page.

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Just like people, comic book heroes have unique voices, and letterers (the folks who draw word balloons) often use specific styles for particular characters.

For instance, Deadpool always speaks (and thinks) in yellow word balloons.  No one is sure what it’s supposed to sound like, aside from a mix of sarcasm and crazy.

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Take a moment and consider what your words would look like if someone drew balloons around them.

Are you snarky to the point of annoying?  (Do you need to tone it down?)

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Or maybe you’re more robotic, like the android Vision.  (Should you add more emotion?)

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DC/Vertigo’s Sandman hero Dream (a.k.a. Morpheus) talks in wavy inverted speech bubbles.  (Are you putting your students to sleep?)

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Or does your voice reflect the tenor of Ghost Rider, Marvel’s Spirit of Vengeance?  (To quote Educator Harry Wong, remember to stay “calm, real calm.”)

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Some teachers start quiet and docile, not maintaining healthy classroom boundaries.  And then when students get too far out of control, these teachers release a verbal attack like Marvel’s Inhumans hero Black Bolt.  (Deal with the small things sooner, so you don’t have to explode.)

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Eric Wong at the Sequart Organization wrote a nifty article about the different ways comic books communicate sound.   As you examine these examples, think about the sounds in your classroom.  What is helpful?  What is hurtful or distracting?

Teachers should record their classroom instruction and interactions from time to time.  You don’t have to sit down and watch an entire lesson.  Just listen to a few minutes and notice what your students actually hear.

Acknowledge the fact that nobody likes the sound of their own voice.  (Blame science.)  But who cares?  Either out loud or in your head, ask yourself,

“What can I do to sound better?”  

Here are some ideas:

1. If your voice is monotone and flat, study television news anchors to learn about adding variety in pitch. (And drink more coffee.)

2. If you have a tendency of erupting, take a deep breath and stay calm (but firm).  (And eat more chocolate.)

3. If you have a snarky streak, save it for open mic night at the comedy club.  Students respect teachers who show them respect first.

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So whatever kind of “word balloons” you use in the classroom, make sure they fit the space and focus on learning.

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What’s in a Name?

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Keen-eyed readers will notice that this blog has recently changed its official name from Teaching is for Superheroes! to Teach Like a Superhero!  (The exclamation point remains!)

Not that big of a change, really, except that the new name rolls off the tongue a little more easily.  Another change is the primary web address:  http://www.teachlikeasuperheroblog.com.  This new URL is not very short, but it gets to the point.

(I tried a shorter address, but “www.tlash.com” sounds like an eyeliner product.  And a good of an excuse as any to share this meme inspired by Captain America: The Winter Soldier)

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If all of this http://www.mumbo.jumbo stresses you out, don’t worry.  The old web address, http://www.teachingsupeherheroes.wordpress.com, still works and will lead you right back here.

This post is not just an announcement about blog name changes.

Let’s talk about names of superheroes and names of teachers.

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I remember two things from my very first teacher back-to-school in-service meeting.  The first memory is a litany of details regarding health insurance and employee benefits.  The second memory is our assistant principal reminding us all that we are “Mr. Smith,” not “Smith” or “Mr. S.”

His point was to start the school year establishing a professional identify and requiring our students to address us as such.  It may seem like no big deal for a student to abbreviate your name (“Mr. B.”) or leave off your honorific (“Bergman”).  Some teachers may even welcome such nicknames to foster a more relaxed classroom environment.

But we must always be careful to not get too comfortable with our students.  Stop and consider the range of impacts this lackadaisical habit could impart.

I’m sure I’ve allowed my students to call me all sorts of things and get away with it.  But it does help to maintain a level of respect among everyone – teacher to student, student to teacher, teacher to teacher, student to student, and more.

Proper names matter among superheroes, too, and not just with maintaining secret identities.  Personally, I cringe whenever I read superheroes calling each other playful nicknames.

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They’re heroes, not BFFs!

Superhero nicknames have long been a staple in comics.  Witty banter and clever monikers keep the “funny” in funny books, after all.  And it helps convey some characters’ personalities.

Wolverine, for example, with Colossus:

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And here (off-panel) with Professor Xavier:

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The best name-caller, of course, was Stan “The Man” Lee, who was so proficient he even came up with nicknames for his real-life co-workers (e.g. Jack “The King” Kirby, “Jazzy” Johnny Romita, “Merry” Gerry Conway, and many MANY more right here).

Like any good joke, though, overuse of superhero sobriquets can get tiresome.  Especially among champions who should focus their attention on more important things – like fighting bad guys and saving the world!

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What’s worse, many of these affectionate nicknames can actually undermine the job of life-risking heroics.

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“Spidey” for Spider-Man works fine for his hip quippy character;  but take a look at other heroes and their less-dignified labels:

Batman = “Bats”

Superman = “Supes”

Green Lantern = “GL”

Ugh.  Apparently, characters in the DC Universe have a thing for abridging names.  Marvel nicknames, though more colorful, can still cheapen a heroic legacy.

The Mighty Thor = “Goldilocks”

The Hulk = “Ol’ Greenskin”

Iron Man = “Shellhead”

Captain America = “Cap,” “Winghead,” “Star-Spangled Avenger”

We come back to Captain America because it’s maybe the clearest example of a noble hero who’s legendary status is downgraded by casual familiarity.  And it’s not just by fellow heroes, but even by us regular citizens.

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Call me a Stick-in-the-Mud (“Bromidic Bergman”), but superheroes deserve a little more formality.  The same goes for teachers.  Although it may seem cool for kids to use teacher nicknames, be careful with letting things get too capricious or contemptuous.

So whenever you hear a student or colleague refer to you as  “Mrs. T” or “Thompson” or “Yo, Teach,” gently remind them how they can address you more properly.

Just remember, it’s not “Mr. F.” It’s Mr. Fantastic.

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And it’s not “Incredible;” it’s Mr. Incredible.

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And it’s not “Marvel;” it’s Ms. Marvel.

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Actually, the original Ms. Marvel goes by Captain Marvel now.

But never “Cap.”

Dress for Success

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Back to school time is here, which means families are filling department stores to find the best bargains. But it’s not just students. Teachers are also looking to stock up on supplies and spruce up their wardrobes.

Take a look at a typical “Back To School” advertisement or website and you’ll see gobs of superhero clothing and accessories. Superheroes are famous for how they look just as much as they are for what they do.

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The good folks at Newsarama recently listed their “10 Best Live-Acton Superhero Costumes” and “10 Worst Live-Action Superhero Costumes.”

Here are some helpful lessons teachers can learn from these lists:

#1 – Maintain Functionality

Many of the “Best” costumes work because they look like something you could actually see in real life.  Rather than adhering too closely to garish comic book colors or styles, the designers keep things grounded and user-friendly.

TheDarkKnight Teachers should consider their daily tasks and possible actions, then dress appropriately.  Fabric that breathes, stretches, and covers is a must, along with some comfortable footwear.

Comfortable shoes, yes, but NO SNEAKERS (unless you teach gym).  Strapping on a pair of Asics Gel Virage 4 shoes is the quickest way to ruin an otherwise perfect teacher outfit.

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(It’s called “business casual,” NOT “business triathlon.”)

If you need super-supportive shoes that are also subtle, take a look at this list provided by We Are Teachers (although I squirm at the sight of #10).  This focus on footwear leads us to another lesson from live-action superheroes.

#2 – Focus on Simplicity

A quick comparison of the “Best” and “Worst” film costumes reveals a glaring difference in details.  In many cases, the outfits in the “Worst” category are just TOO MUCH.

BatmanAndRobin Resisting the impulse to add another buckle here or kneepad there, the “best” outfits keep it simple.  By doing so, these film versions highlight key elements that evoke iconic imagery.  In some cases, this means ditching the costume and favoring functional garb (see #1 above) with hints of style and symbolism.

Wolverine Teachers are iconic, and their choice of clothing should reflect their critical role in society.  Instead of chasing the latest fashion (floral vs. geometric print, fat tie vs. skinny tie, boot-cut vs. skinny jeans), focus on conveying an image that is classy and timeless–just like good teaching.

In case you think it’s passé to stick with the basics, take a look at two USA Today articles about teacher attire.  One is from 2003, the other from 2012.

Despite being nearly a decade apart, both articles list some of the same “Should’s” and “Should Not’s” for teacher apparel and appearance.  Neat and clean are always “in.”  Spaghetti straps, tight tops, short bottoms, excessive piercings and tattoos should stay out of the classroom.

#3 – Lean toward Conservative

We’re talking clothing here, not politics.  (Vote your conscience.)  In discussing attire, teachers should consider how to keep the focus on learning as opposed to fashion.

Whenever you struggle with what to wear, here are several mottos you can remember:  “Dress older.” “Dress like your boss.” “Dress for the job you want.”

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“Teacher” is not the first profession that comes to mind.

These sayings will help with decisions as you stand in front of your closet.   Skewing conservative also works as you stand in front of the bathroom mirror.  Just like excessive makeup on movie superheroes, teachers with too much mascara will likely turn off their students.

#4 – Tone down the CGI

GreenLantern ‘Nuff said.

Hopefully these Hollywood examples will help teachers consider their choice of classroom attire.  For anyone wanting more ideas, check out this Education World article discussing jeans and flip-flops, or this About Education blog with useful guidelines, especially for younger teachers.

And remember:  Save the cosplay for your pets. Batman Dog

Summer Break 2015

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It’s that time again when T4SH takes a short break during the summer months.

A break from lengthy blog posts, at least.  Look for resources, updates, and links via Facebook while you’re chilling out poolside, beachside, or inside.

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Time-traveling X-Man Bishop proves that blue jean cutoffs NEVER go out of style. Just beware that nasty tan line.

BONUS!  Here are some blog highlights from the past academic year, if you need something to review and recharge your mutant teaching energy:

Teachers for Hire – Research and statistics on teachers’ time and money.

Question(s) and Answer – Resources and strategies for asking good questions in the classroom.

Flex Plan – Movie studios plan superhero movies YEARS in advance.  How far into the future should teachers plan lessons?

Fantastic Teaching – Timeless traits of effective teachers, inspired by Marvel’s First Family.

Weird Superpowers – Superman has some weird superpowers.  What’s YOUR weird teacher power?  (Hopefully it is not fake-super-flabby-arm.)

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Take time this summer to work on your beach bod AND your classroom prowess.

Educatio!

Multiple Madness

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Sadly, this entry does not feature one of my favorite superheroes – Jamie Madrox, a.k.a. The Multiple Man. But I’m going to include a picture of him (them) anyway:

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On to business!

Warning: Today’s topic contains both intense geekery and buzzword-bashing. Proceed cautiously.

Blockbuster movies are not the only highlight of summer. It’s also the season when comic book publishers launch company-wide crossovers that promise to shake up a universe or two (or 52).

Marvel Comics and DC Comics have both blasted readers with major events this year. DC recently ran through a “Convergence” that ended with every version of its universe (pre-Crisis, pre-Zero Hour, pre-Flashpoint, etc.) returning to existence. That means every crazy version of familiar heroes and villains can appear in some form or another in one of several alternate universes, or multiverses.

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Confused? Check the hyperlinks above to read more about DC’s habit of rewriting history in their comic books (“reboots”). And you can read more here and here, then impress your friends with a mindful of multiversity.

Reboots are Made for Walking . . .

DC rebooting its universe(s) is nothing new. But Marvel Comics has always prided itself on maintaining a single continuity in its main universe (called “Earth-616,” and don’t ask why).

That’s all changed this summer, though, with Marvel’s tentpole production “Secret Wars.” If that name sounds familiar, the original “Secret Wars” (1984) was Marvel’s first mega-crossover teaming up all of its major heroes – Spider-Man, the Avengers, Fantastic Four, the X-Men, and more. Plus, it’s where Spidey got himself his snazzy black costume that . . . didn’t end well.

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In Marvel’s current 21st century crossover, every alternate universe (technically not the same as a multiverse; trust me) is starting to shmoosh into each other, with Earth as the epicenter.

What results is a hodgepodge of alternative Marvel Earths mish-mashed all on one planet. This subsequent world is called “Battleworld,” where apparently assorted Marvel heroes and variations duke it out over land rights.

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Actually, all of the post-Secret War/Battleworld comics look to be an excuse to revisit everyone’s favorite character or event from Marvel’s storied history. This nostalgia trip won’t last for long, with a finale that will “be the end of the Marvel Universe as we know it!”

Just recently, Marvel has already given us sneak peeks at characters appearing in this “All-New, All-Different” universe.  Here’s a look:

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Who knows how long either of these nascent realities will last? In recent history, world-shattering moments seem to happen every other issue.

But, hey, it’s comic books.

My concern is not a glut of mega-crossover mini-series, but rather the stampede of super-heroes – namely different versions of the same ones. Take a gander at another Marvel “All-New, All-Different” lineup:

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I count two Spider-Men, two Spider-Women (one is “Spider-Gwen”), and two Captain Americas (one is old Steve Rogers, the other the old Falcon). Look back at the first Marvel promo and find two Wolverines (one female, the other old Logan).

Duplicating heroes is one way to increase diversity. But it can sometimes dilute the specialness of super-heroes. I’m not just talking about spreading thin unique super-powers, but also decreasing high-stakes adventures. If a certain hero is facing life-and-death odds, it’s no big deal, since a copycat can fill any vacancy. And if your world blows up, just hop over to the next universe.

Right, DC?

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Okay.  Rant over.

All-New, All-Different Rant.

Let’s talk about teaching and blow up some more multiplicity problems. “Multiple Intelligences,” to be precise.

Multiple intelligences is perhaps the most touted idea in education today. But in case you haven’t heard of it, here’s a recap:

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Back in 1983 (one year before Marvel’s first “Secret Wars”), Harvard professor Howard Gardner argued that a general intelligence (“IQ”) measure is insufficient, and proposed seven different “intelligences” one could possess.

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Most people have strengths and weaknesses around this pie, and are more comfortable in some categories (or combos) than in others.

Of course everyone has different strengths. They’re called talents. Skills. Natural abilities. Preferences. Interests. Comfort zones.

But Gardner labeled these categories “intelligences” and this notion took off like honey nut hotcakes. In fact, Gardner has admitted that his ideas wouldn’t have gotten so popular had he just called them “multiple talents.”

So what’s the problem?

Many educators – many with the best of intentions – latch onto “multiple intelligences” thinking they have to cater to everyone’s needs. Taken to the extreme, each topic to be learned requires eight different lessons or activities. That way you cover all the bases.

Another term that overlaps with multiple intelligences is “learning styles.” Educators frequently pigeonhole different students according to a specific strength or preference – visual, auditory, kinesthetic. Worse, students may self-label or assume the identity they’ve been assigned, with the notion that they are stuck in one role with no opportunity to grow or change.

To his credit, Howard Gardner has explained how his ideas of multiple intelligences are NOT the same as learning styles. This is helpful, as comprehensive learning relies on much more than just “style.” Moreover, research has found little evidence that matching teaching to a specific learning preference produces higher understanding. Unfortunately, such clarification is lost among the bulk of educational professionals and publications.

Mixed up reliance on “MI” and “learning styles” enables teachers, parents, and students who want excuses for an underwhelming performance. If Billy flunks his spelling test, that’s okay. Maybe he’s just a “kinesthetic” learner. Maybe he can form letters with his arms and legs. Or if Suzie struggles in math, just have her sing out her calculations. She does so well in choir, after all. She must be “music smart.”

Here’s another problem:  Some of these “intelligences” are more practical in everyday life than others. No matter how much you plead, no one will sing the ballot to you the next election day.  You have to read to vote. The next time you get pulled over for texting while driving, try explaining to the officer that you have interpersonal intelligence. See how far that gets you.

I’m not saying we should dismiss any student who doesn’t excel at a particular subject or skill. Celebrate their strengths. Find ways for them to use and share that talent. But don’t compromise content learning. And help people shore up their weaknesses.

By the way, for those who counted the Multiple Intelligences in that pie graphic up there (all you logical-mathematical studs), there are actually EIGHT intelligences. Gardner added “naturalistic intelligence” a few years later. And then there’s also “existential intelligence.” It’s all getting a little ridiculous, to the point where The Onion featured a parody article revealing the trials of students with “nasal intelligence.”

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A nasal learner struggles with an odorless textbook.

So what should teachers do?

Dr. Gardner suggests three actions: 1. Individualize your teaching; 2. Plurarlize your teaching; and 3. Drop the term “styles.”  (Easy for him to say.)

If you want more concrete ideas, here are some quotes from reviews of the research:

From The Chronicle: “Teachers should worry about matching their instruction to the content they are teaching. Some concepts are best taught through hands-on work, some are best taught through lectures, and some are best taught through group discussions” (Glenn, 2009).

From the NSTA: “Using appropriate representations that carefully consider how to best convey the content is important. In addition, we need to scaffold between concrete and more abstract representations, being sensitive to the abilities of our students to handle abstractions. Finally, when students struggle to understand, we need to look at both the nature of the content as well as the prior experiences of our students” (Olson, 2006). 

This is a good start to wise planning and teaching. Click on the hyperlinked articles above for more in-depth reading and reflection.

Multiple intelligences – like multiple superheroes – can have some merit in the right context. But both can explode out of control and become gimmicky. Be wary of too much reliance and redundancy, resulting in loss of impact.

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Super Women (and Men)

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March is Women’s History Month, and Edutopia has provided several lesson ideas teachers can use to help students examine “women’s contributions, struggles, and triumphs throughout history.”

In recent history, Marvel Comics has given more support to their female superheroes, with solo titles starring a new Ms. Marvel, Captain Marvel (the old Ms. Marvel), Black Widow, Spider-Woman, and much much more . . .

An all-female X-Men team stars in the relaunched comic book X-Men.

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Why not “X-Women?”

An all-female Avengers team will soon star in a book called A-Force.

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Better than “FemForce,” although such a comic DOES exist.

Heck, even Thor is a woman right now, which hasn’t pleased everyone.

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If I had a hammer . . . . I’d shatter the glass ceiling.

For their part, DC Comics has recently given Wonder Woman long sleeves:

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Speaking of Wonder Woman, Harvard professor Jill Lepore’s The Secret History of Wonder Woman has earned all kinds of praise and prizes for its examination of the iconic super heroine’s creation as well as women’s history in the 20th century, which circles us back to the start of this blog post.

What does this have to do with teaching?

For better or worse, teaching has often been looked as a “woman’s profession.” In fact, another Harvard-based publication refers to teaching as “Woman’s ‘True’ Profession.”

While this notion may help to empower women and celebrate their impact on society, it can also lead to fewer men working as teachers, especially with younger grades. For example, a study in England found that 25% of all primary schools are staffed entirely by women. Is this good or bad? As a happily married male, I will respectfully and delicately sidestep that discussion for another time.

Another study in England found that women are disproportionally fewer in roles of “headteachers” and “school senior leaders” (translation: administrative and school leadership roles). Such a gender imbalance is probably not a good thing.

Male or female, super-powered or human, Marvel or DC, all teachers play a vital role in successful student learning. Or, as one new book says, “it takes team effort:”

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“Men and Women working together to enhance children’s lives.”

That’s a wonderful thing.

Weird Superpowers

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As first reported by USA TodaySuperman is getting a new superpower in the DC Comics universe.

Clark Kent’s alter-ego gets a costume update, too, complete with fingerless gloves.  This makes me wonder if his new power includes playing clarinet for marching band.

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Take a look at comic book panels revealing this new ability in action.  (No woodwind in sight . . . yet.)

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Art by John Romita, Jr.

DC is touting this new talent–the Super Flare–as Superman’s “first new power in decades.”  They’ve even provided a handy-dandy timeline:

superman-powers time line

Superman must be short for “Superfluous-man,” given Kal-El’s multiple Kryptonian skills.  He’s a walking flying Swiss Army Knife compared to most heroes’ singular power sets (e.g. Flash = fast; Green Lantern = ring; Batman = ruined childhood).

Both Newsarama and IGN recently came up with lists of Superman’s Weirdest Powers to celebrate the inaugural Super Flare.  There are 15 listed by IGN, and Newsarama includes 10 in their countdown.  You’ll notice some overlap as well as some rather obscure abilities in Superman’s 75-year multi-media history.

My personal favorite is “Super-Dancing,” which Clark Kent can employ without even changing outfits.

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Many teachers possess this power, too.

Weird Teacher Powers

This examination of weird superpowers got me thinking about teachers’ own unique abilities.  As mentioned in a previous post, one joy of teaching is bringing personal skills and strengths to the classroom, building off of sound research and practice.

Bringing in your unique personality can also lead to sharing some special talents and abilities.  Instead of settling for America’s Got Talent or David Letterman’s Stupid Human Tricks, teachers can put these gifts to good use in schools.  So . . .

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What’s your weird teacher power?  

I’m not talking about the Superman-like ability to eat a complete lunch in under five minutes.  That goes with the profession.

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Fifth period starts in two minutes!

What we want to examine is using uncommon strengths for the common good:  learning.

How can you use “weird teacher powers” to inspire and educate students?

If it helps, here is how I’ve applied a few of my own particular capabilities in educational settings.

1. Left-footed.  To be honest, this one hasn’t been that useful in the classroom, except to show students that everyone is different in different ways.   Accept that fact and get along.  (I’m still waiting on Bill Belichick’s offer to punt for the New England Patriots.)

2. Music.  Not a strange talent in most cases.  It’s all how you use it, though.  I sing and play trumpet, and have done one or the other in various settings to get students’ attention, share a mnemonic memory trick, or illustrate the physics of sound.

Plenty of weird potential, too.  When I student taught, one of my mentors taped a trumpet mouthpiece into one end of a garden hose, with a funnel sticking out the other end.  He would play his “hose-a-phone” on occasion, most frequently for students’ birthdays.  Not very educational, but certainly eye- and ear-catching among the students, something all teachers need.

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Archival footage of hose-a-phone. Not actual mentor.

3. Goof.  Like my mentor’s example, often a teacher’s weird power lies in his or her ability to lower inhibitions and go for the gusto.  We don’t have to bounce off walls, but we can exhibit enthusiasm for school and learning in captivating and contagious ways.

I know an educator with a lively method of ending the class period on a day of doldrums.  When class limps into the last minute, this man pretends to get a call from the president via wristwatch, puts on a cape and cowboy hat, then runs out of the room yelling, “Super-Cowboy . . . AWAY!!!”

I’ve never tried that myself, but I have celebrated a unit assessment by theatrically revealing the test while blaring Strauss’s “Also Sprach Zarathustra” (a.k.a. the opening to 2001: A Space Odyssey).  Following a few confused faces, the triumphant entrance gets more laughs and eases anyone’s test anxiety.

During my chemistry classes’ Gas Laws unit, I make a point to wear the following t-shirt under my ordinary teacher outfit (shirt and tie, slacks).

sci never sucks t shirt

A gift from my brother (also a teacher).

The instant someone mentions the word “suck” to describe pressure differentials, I rip open my outer shirt to give the class a vivid reminder that “Science Never Sucks.”  To enhance the effect, I play Survivor’s “Eye of the Tiger” as accompaniment.

Silly?  Of course.  Memorable?  That’s the point.

Years later, all of my former students know there’s no such thing as a “suck force.”

And as an added bonus, for one fleeting minute I get to feel like a costumed superhero.

So maybe you can’t leap tall buildings in a single bound or outrace a speeding bullet.  But every teacher has special skills and quirks, able to spark meaningful and memorable learning in our students’ lives.

That makes us the most powerful superheroes ever.

Flex Plan

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Where will you be in five years?

If you like superheroes, a good bet is you’ll be sitting in a theater watching the latest Marvel or DC movie.  And chances are you’ll have seen multiple superhero movies between now and then.

A recent Warner Bros. shareholder meeting featured the announcement of several tentpole movie projects into the year 2020.  This list includes TEN films starring DC Comics superheroes (and antiheroes).

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Not to be outdone, Marvel Studios held a special shindig where they announced NINE movies set in their “Marvel Cinematic Universe,” involving the Avengers, Guardians of the Galaxy, Black Panther, Dr. Strange, and more.

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“Infinity” sounds about right.

If you add in movies based on other Marvel Comics heroes (X-Men, Spider-Man, Fantastic Four, etc.), that makes OVER 40 FILMS currently planned for Marvel or DC comic book characters.

And that’s not even counting additional comic book and superhero projects.  So we’re headed either into the Double Platinum Age of Comic Book Movies or Major Market Saturation.

Of course, many of these projects may get derailed or delayed along the way.  (Don’t hold your breath for “Unannounced Female Character Spider-Man Movie” in 2017.)

Plans change, and no one knows that better than teachers.

Adventures with Scope & Sequence

Those of us in the field of education know about something called “Scope and Sequence.”  Not only does “Scope and Sequence” sound like a terrific crime-fighting duo, S&S is a general phrase given to long-term planning in the school year.

Here is an example Scope and Sequence from an elementary art teacher, courtesy of the smARTteacher website.

Art ScopeSequence BIG

I think of scope as the overall main ideas and concepts students should learn in a class, and sequence is the general order in which they could learn, connect, and practice these main ideas.

Notice the language used here:  “overall”  “general”  “could.”

It’s important to remember that long-term planning should be flexible, like the Ever-Elastic Mr. Fantastic! 

mr fan in action

Sometimes adjusting to curriculum guides can feel like deflecting bullets.

All kinds of variables arise during a school year that require adjustment and revisions:  prior knowledge, curriculum mandates, assessment schedules, special events, weather cancellations, and–MOST IMPORTANTLY–student learning.

Districts often have a Pacing Guide that indicates the key content, units, and even activities teachers should use in their specific courses.  Here are some pacing guides for science teachers in Mobile County Public Schools (AL), if you’re curious.

The key word here is “guide.”  Classroom teachers know their students best, and therefore the best methods and schedules for helping students learn.

To coin a scientific-sounding mantra:  Student learning should be the constant, with time as the dependent variable.

If students require more time to master a topic, give them more time.  Don’t plow through a chapter just because you think you need to stay “on track” to finish a certain textbook.  (Who said you had to finish the textbook in the first place?)  Conversely, don’t slog through something the kids already know or don’t need to know.

A Super Biology Teacher

I met a science teacher who was just one of six teachers who taught Biology 1 in his school building.   The basic requirement was all Biology 1 teachers had to get through Chapter 10 by the end of December.  The reason was students could switch teachers at the semester break, so everyone needed to be at “the same spot” beginning in January.

Sounds logical, but not every teacher (or student) will work at the same rate or want to focus on the same content.  Some concepts and skills are more important than others.  So what do you do if you don’t agree with a prescribed schedule?

I love what this science teacher did.  He made sure he was done with Chapter 10 by the end of December, but he shuffled chapters to create the most meaningful sequence for his students.  Moreover, this teacher spent more time on some chapters and less time on others that weren’t as necessary for learning fundamental biology concepts.

Sound out of order?  That’s nothing new to readers of comic books, where odd numbering systems abound (see multiple #1 issues, #0 issues, #-1 issues, backwards releases, flipped issues, etc.).  Heck, there’s even a blog totally committed to the convoluted topic of Comic Book Numbering.

The bottom line in comic books is finding strategies and gimmicks to sell the most issues.  The bottom line for teaching is arranging lessons and units to encourage the most learning.

So whether you’re talking about billion-dollar film franchises or the infinite potential of today’s students, do take time to plan ahead.  But always keep your plans open to change.

And always leave the door open for a dynamite sequel.

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Question(s) & Answer

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One comic book character who is prime for a screen adaptation is DC’s The Question.  In fact, the folks at  WhatCulture.com list The Question as one of their “10 Obscure Superheroes That Badly Need a Movie Treatment.”

A movie may work fine, but an ongoing Question TV Series would be a perfect fit, featuring a street-level noir hero with regular crimes and conspiracies to solve. If you want to see The Question in animated action, you can find some highly regarded appearances in the Justice League Unlimited series.

You can also find a nifty short YouTube documentary on “Who is the Question?” right here.  The most iconic version is Vic Sage, although more recently the moniker (and mask) was taken over by Renee Montoya, best known as a detective in the Gotham City Police Department.  [A live TV version of Det. Montoya has appeared in Fox’s Gotham series.  No sign of any Question(s), though.]

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In case you’re wondering, there IS a superhero known as The Answer in comic books.  You can read more about The Answer here and here.  Judging from his appearance, I’d say a more appropriate name is The Exclamation Point or The Interjection!

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In teaching, we know that “Questions are the Answer.”  Often, what makes or breaks a lesson is how the teacher interacts with students during the activity.

Rather than just talking at students, teachers must ask questions throughout each lesson.  Questions and similar prompts are effective ways to encourage thoughtful reflection, promote engaged discussion, monitor student thinking, and more.

Unfortunately, research has found that a vast majority (70-80%) of questions asked by teachers require nothing more from students than reciting facts or guessing simple answers (Gall, 1984; Watson & Young, 1986; Bergman & Morphew, 2014).

So the question is this:  What kind of questions do you ask?  

Challenge yourself to challenge students by habitually asking  questions that require high-level thinking, such as those skills classified in Bloom’s taxonomy of educational objectives:  Application, Analysis, Synthesis, and Evaluation (Bloom, 1956).

How do you begin?  Here are a few resources I’ve recently come across that may be a good start:

– From Edutopia: “5 Powerful Questions Teachers Can Ask Students”

– From The Huffington Post*“25 Ways to Ask Your Kids ‘So How Was School Today?’ Without Asking Them ‘So How Was School Today?'”

*This second resource is more for parents, but teachers can gain ideas from the example questions for encouraging conversation.

The goal is to get kids thinking, reflecting, and sharing so you and their classmates can also think, reflect, and share ideas.

I’m glad there are two Questions running around in comic books. It reminds us that teachers need to use multiple questions in our interactions with students.  One question is often not enough.

Like Batman and his utility belt, you should have an entire arsenal of prompts and queries at your ready, posing the right one at the right time.

Batman utility belt

I don’t own a utility belt, but I do keep a small index card in my pocket with question stems such as “In what ways . . .?”  “For what reasons . . .?”  “How might you . . .?” and many more.  Whenever I’m stumped for a good question, I can check my list to keep the conversation going.  And like Batman with his belt, you should continuously update and improve your questioning strategies.

Unlike the hero The Question, however, you will want to add engaging facial expressions.  Smile a little.  Make appropriate eye contact.  And talk in a welcoming tone of voice.

question image

Not the face you want to see in a classroom.

The Question wants to hide an identity and frighten bad guys.  Teachers, on the other hand, need to be personable and supportive of students.  Your questions and interactions, when used effectively, are an important part of this equation.

Speaking of which, there is no mainstream superhero called The Equation.  Get on it, math teachers!

It’s SHOWTIME!

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The fall television season is upon us, and it’s full of several shows (some old, some new) featuring superheroes.

In fact, there are so many comic book-based shows on TV that you could make the argument it’s the “Golden Age of Television Superheroes.”

comic-tv-line-up-2014

I’m waiting to see how these shows turn out and how the Netflix/Marvel deal transpires.  On the surface, though, things look promising.  Here’s a useful list summarizing all of the current, new, and future superhero and/or comic book-themed shows, courtesy of the fine folks at Newsarama.

Also from Newsarama, here are their 10 BEST and 10 WORST Comic Book Live-Action TV Series of All Time.  (Animated series is a whole different category, but it’s safe to bet on anything related to Bruce Timm and Paul Dini.)

For now, I’d say the Golden Age of TV Superheroes was the mid-1970s to mid-1980s, which gave us gems like The Incredible Hulk, Wonder Woman, The Greatest American Hero, and Spider-Man on The Electric Company (with narration by Mr. March of the Penguins himself, Morgan Freeman).  

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As a bonus, this era also included The Six Million Dollar Man and The Bionic Woman, and preceded the wave of cool-vehicle-based shows like Knight RiderAirwolf, Street Hawk, and Magnum, P.I., which featured the one-two combo of a Ferrari 308GTS and Tom Selleck’s mustache!

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‘Stache trumps the car every time . . .

Getting off topic here, so let’s talk about television and teaching.

How do you use TV and videos in the classroom?

Shameless plug:  I’ve done a little writing in the past about using movies and video clips to enhance science lessons.  You can read a little bit about that here and here.

No matter what you teach, below are a few tips about sharing video clips with your students:

1. Decide WHY you need the video.

What does the video do that you can’t do in another way, including hands-on experiences, interactive presentations, collaborative discussions, outdoor investigations, role-play scenarios, and more?  Sure, using a video clip is easy because you can pop in the disc or click on the computer.  But what materials and activities will create the most meaningful and memorable learning?  If it’s a video, then go for it!

2. Make it an active, not passive process.

Related to #1 above, students should not just act as passive audience members during the viewing.  Give them something to do while they watch.  Observe and categorize specific attributes, list examples and/or questions, answer questions or prompts on a handout.

With the handout approach, be careful that you don’t make it a scavenger hunt for trivia.  If you do, students will pay attention to those tidbits only and not benefit from the overall experience.  If you want them to complete a handout, be sure you emphasize just a few key concepts so students don’t get bogged down looking to fill in a mundane list of blanks.

Very rarely will a video by itself teach the students anything worthwhile.  As a teacher, you need to be there to guide students’ thinking and foster discussion.  This includes before and after the video, as well as during.  (You’ve got that pause button for a reason!)  Remember the ideal rating of “TG:  Teacher Guidance Suggested.”

3. Decide WHEN you should show the video.

Videos are more than “rewards” students can enjoy at the end of a unit or after a test.  What’s the value if you wait until then to show it?  Instead, reflect on your unit sequence and consider when a particular video best serves the students’ learning.  You could use it as an eye-catching opening, part of an introductory pretest or puzzler, a formative review or extension, a prompt for homework or application, or even part of a summative assessment.

4. Keep it short and sweet.

Very rarely should something as dull as a “movie day” occur in your classroom.  A common rule of thumb in education is no activity or task should last longer than 20 minutes during class.  By breaking things up, teachers can help students stay focused and motivated to learn.  The same goes for video clips.  Stick to showing the key scene or segment that matters, which may only be a couple of minutes at a time.

Furthermore, when using a clip from a popular movie or television show, I never show the ending.  Sometimes I don’t even show the end of the scene, leaving the students with a cliffhanger and spawning a chorus of disappointed groans from the class.  But consider how much this motivates them to think further after class is finished.  What parent wouldn’t be thrilled if their son or daughter asked them to check Netflix or take a trip to Family Video so they can finish a movie they first saw in school?

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Bus jump from “Speed.”  Will Keanu and Sandra make it?  Let’s do PHYSICS!

Another reason for using a specific clip is to edit out any superfluous or inappropriate content.  Speaking of which . . .

5. Get parental and principal approval.

When using any entertainment-based media, or even educational materials that may be controversial, plan ahead and check with your supervisors (principal, department chair, etc.) to see if they have any concerns or advice.  At times, they may recommend sending a note or email to students’ parents/guardians so everyone is clear on the content and purpose of the media.  And for any sensitive topics, it provides the opportunity to opt out if anyone objects.  It also is helpful to have a back-up activity or alternative task for those who may not watch the video, whether by choice or by circumstance.

6. Keep it legal.

All kinds of stories exist about the proper use of media by teachers and threatening lawsuits from corporations.  If you’re not sure what is okay or not okay about using media, check with your school’s media specialist (a.k.a. librarian), who usually knows the latest.

Also, here is a terrific resource for teachers regarding copyright and “fair use” guidelines, provided by TechLearning.  I’ve saved this PDF onto my computer and printed copies to keep in my teaching binders as a quick reference.

For me, the most important guideline is found in the “Fine Print” about videos: “use should be instructional, not for entertainment or reward.”

So will anything from the current crop of Superhero TV shows be worthy of classroom use?  Tune in to find out!